STANDARD + WARM
SHUTO LOOKS 2-LUT Bundle (STANDARD + WARM)
$59.00
$65.00
Get both and save. Both SHUTO LOOKS LUTs, together in one bundle.
STANDARD fits almost any footage, and WARM brings out the warmth of the light. Switch between them to suit the scene or the mood.
- SHUTO STANDARD: a cinematic, vivid everyday base grade. Works across landscapes, streets, travel and portraits.
- SHUTO WARM: a warm, calm cinematic look. Made for morning and afternoon daylight, golden hour, and beige or brown-toned streets.
Supported footage
Built for Sony S-Log3 / S-Gamut3.Cine footage. The Rec.709 conversion is built in, so apply it directly to your Log footage without stacking a conversion LUT. For Log footage from other camera makers, use DaVinci Resolve's Color Space Transform (CST) to convert to S-Gamut3.Cine / S-Log3 first, then apply the LUT.
What's included (delivered as a zip)
- SHUTO_STANDARD_v1.cube (65×65×65)
- SHUTO_WARM_v1.cube (33×33×33)
Supported software
DaVinci Resolve / Premiere Pro / Final Cut Pro / CapCut, and any other software that loads .cube files
License
One-time purchase, perpetual license. Personal and commercial use (including client work) are both allowed. Please do not redistribute or resell the LUT files themselves.
For before/after examples and installation steps, see the SHUTO STANDARD and SHUTO WARM product pages.
Sorry — this product is not currently available for purchase in your region (EU and UK).
Browse the other LUTs- File format
- .cube (3D LUT)
- Licence
- Personal and commercial use
- Delivery
- Download immediately after purchase
Works with
- DaVinci Resolve
- Premiere Pro
- Final Cut Pro
- CapCut
What's included
All 2 LUTs below are included.
- SHUTO STANDARD SHUTO_STANDARD_v1.cube
- SHUTO WARM SHUTO_WARM_v1.cube
DETAILS
Product details
How to install
DaVinci Resolve (recommended)
1. Load the LUT
Click the gear at the bottom right (Project Settings) → Color Management → under Lookup Tables, click Open LUT Folder → copy SHUTO_STANDARD_v1.cube into the folder that opens → click Update Lists.
2. Check your color settings
In the same Color Management page, make sure Color science is set to DaVinci YRGB and Timeline color space to Rec.709 Gamma 2.4. With DaVinci YRGB Color Managed or ACES, another conversion runs before the LUT and the color can break.
3. Apply the LUT
Open the Color page and select your S-Log3 clip → right-click a node in the Node Editor → LUTs → choose SHUTO_STANDARD_v1. We recommend doing exposure and white balance in nodes before the LUT, and keeping the LUT node last.
4. Log footage from other camera makers
In DaVinci Resolve's Color Space Transform (CST), set Input Color Space and Input Gamma to the original settings your footage was shot in.
Set Output Color Space to S-Gamut3.Cine and Output Gamma to S-Log3, then apply this LUT after it.
Results vary with your footage, so adjust exposure and white balance as needed.
5. If it looks wrong
If the image turns dark or the color looks too heavy right after applying, your footage may already be in Rec.709 (a conversion LUT is already applied, or the camera recorded in Rec.709), or the settings in step 2 may be different.
Other software (in every case, apply it directly to the Log footage — no conversion LUT in front)
Premiere Pro: Lumetri Color → Creative → the Look dropdown → Browse and load the file
Final Cut Pro: add the Custom LUT effect → Choose Custom LUT → select the .cube
CapCut: Adjust → Color → LUT → import the .cube from your device
License details
You may
· Use them personally, including social posts and vlogs
· Use them commercially, including client work
· Keep them permanently — the license does not expire
Please do not
· Redistribute, resell, or transfer the LUT files themselves
· Share the files with other creators (sharing inside one studio or team is fine)
QUESTIONS